Thirty minutes, by phone or video, with one of the two principals. We listen first. You decide whether to continue.
We do not screen-share portfolios on the call. You will have seen the work already. The call is reserved for the wedding you imagine, the people you love, and whether our sensibility belongs at the day.
We have politely declined commissions after this call. Couples have politely declined us. Both are signs of a healthy conversation. Honesty here saves a year of misalignment later.
Pricing is sent in writing, after the call, when you ask for it. There is no urgency, no limited offer, no follow-up cadence designed to pressure you into a decision.
You do not need to have answers to all of these. The questions themselves are the beginning of the conversation.
Who are you, beyond the wedding?
What is the room you most want to remember?
Whose presence at the wedding is irreplaceable?
What films, photographs, or memories have moved you?
What would feel intrusive, on the day?
What does success — a year from now, watching the film — look like?
A November wedding with one hundred and twenty guests, designed around candlelight and a quiet ceremony in the conservatory.
A two-day country wedding, with a film built around the morning walk through the gardens before the family arrived.
A destination commission for a family of forty. The film opens with the boats arriving at sunrise.
When you are ready, write to us. We will be in touch within forty-eight hours.